Is The Canon Rebel Xt Still A Good Camera

The all-plastic Canon EOS Digital Insubordinate XT is extremely lightweight for an SLR. Without a lens, it weighs only about 17 ounces. It also comes in your choice of a traditional matte-blackness or brushed-silver finish. The body is quite pocket-size, too, near a one-half-inch narrower than the Digital Rebel's. The just dSLR that's more compact is Pentax's *ist DS .

Intro
The Catechism EOS Digital Insubordinate XT (known as the EOS 350D outside the United States) represents a leap forrad from its predecessor, the original Digital Rebel, offering more than 1 might wait from the addition of a couple consonants to the name. The XT is a zippy performer. It offers more artistic control than its predecessor and boasts an 8-megapixel CMOS sensor and Canon's Digic Two processing engine. Catechism touts its smaller, lighter body as well; it'south nearly as small equally you tin can go far a digital SLR. Simply while that might entreatment to the small handed and nimble, the XT'south compressed, lightweight, and slightly chintzy-feeling frame volition be a hindrance to others who adopt a solid grip and a counterbalanced photographic camera torso--specially if they're using a lens any heavier than the mediocre 18mm-to-55mm f/3.5-to-f/five.6 unit included in the kit. In terms of image quality, the Insubordinate XT is a bargain, delivering wonderfully detailed and colorful images for a competitive price. While the Rebel XT lacks some features found on the more solid and slightly pricier Nikon D70, the XT is the clear winner when it comes to resolution and dynamic range.

The way dial, single control dial, ability switch, and shutter release are the only camera-top controls.

All of the controls for adjusting shooting settings are concentrated on the right side of the camera dorsum.

While the camera'southward size and weight make it wonderfully portable for travel, nosotros found it a lilliputian uncomfortable for prolonged shooting. The hard plastic and only slightly textured grip aren't ergonomically designed for average-size hands, and the express existent manor makes information technology too easy to accidentally trip buttons while shooting. That's particularly true of the autoexposure-lock button on the upper-right side of the camera back, which sits where your thumb needs to be to go along the camera balanced. These quirks get much more noticeable when you're using a Canon EF-mount lens other than the very lightweight zoom included in the kit.

To the left of the principal and condition LCDs, you'll find the menu access button and playback controls.

The two buttons on the upper-right corner of the camera back allow you select focus points and lock exposure.

About controls are laid out well. There isn't plenty infinite on top of the camera to display camera status, but a status readout appears above the rear LCD monitor. The ability switch is secure and out of the style aslope the top command dial, which is logically labeled with standard exposure abbreviations and vi scene-mode icons (although one of those "scenes" is Flash Off, the only wink adjustment yous tin brand without bill of fare surfing). On the back, there'due south a pad of four-way directional buttons designed to enable quick adjustments of ISO, autofocus, white balance, and metering mode. While you must make these adjustments within the LCD carte du jour system, pushing the buttons brings you direct to them. The control dial located on top of the grip primarily changes aperture, shutter speed, and when used in tandem with a button on the back, exposure compensation.

The Canon EOS Digital Rebel XT loosens a number of the restrictions that bound Digital Rebel shooters. It offers more flexibility with respect to metering mode, with easily selectable evaluative, fractional, or center-weighted average metering (but withal no spot metering). At that place are also more than options with wink-exposure command and autofocus option via the 1 Shot, AI Servo, and AI Focus modes.

The Insubordinate XT saves images on CompactFlash cards and Microdrives.

The XT can simultaneously record raw and high-quality JPEG files, whereas the original Rebel'due south raw-plus-JPEG mode could capture only lower-quality JPEGs. You tin can besides override the automatic seven-betoken AiAF focusing--a good affair, given its occasional unreliability--but doing and then requires commencement pushing a button to initialize the procedure, then navigating to i of the seven points using either the directional buttons or the primary dial. It'due south a little clunky, merely you can actually streamline the process by changing the camera's custom settings to eliminate the first stride.

Shooting choices include the iv bones exposure modes, a depth-of-field priority manner, a fully automatic style, and half-dozen scene options: Portrait, Landscape, Close-up, Sports, Dark Portrait, and Flash Off. The XT provides colour-infinite options of either Adobe RGB or the default sRGB. Information technology likewise allows tinkering with sharpness, contrast, and colour through the menu's Parameter settings. A black-and-white mode has trickled down from Canon'due south EOS 20D likewise. This camera also features adjustable white-rest bracketing and exposure bracketing. As with its predecessor and similarly priced "avant-garde amateur" dSLR models, the Rebel XT offers a maximum ISO of i,600; it can't capture TIFF files, and it doesn't allow the white balance to be set according to colour temperature. Nine custom settings allow you to control such parameters as flash-sync speed (to 1/200 second), exposure-level increments (from 1/three-stop to 1/2-cease), and shutter-curtain sync (first- and second-pall flash sync).

Along with other software, the Rebel XT comes with Canon's excellent Digital Photograph Professional 1.6 plan for raw file processing. It also supports Canon's sophisticated E-TTLII external-flash system and is compatible with an optional vertical grip that adds more bombardment power and a 2nd shutter release. For wireless multiple-wink support, you'll have to purchase an accessory transmitter--ane respect in which this camera falls short of Nikon'due south D70 and D70s.

The Canon EOS Digital Rebel XT continues the trend of increasing zippiness in consumer-course dSLR models. Especially impressive is its nearly instantaneous start-up time. In our tests, we fired upwards the camera and took a shot in merely 0.2 second. The shutter lag was a miniscule 0.2 second at its slowest--this is a very responsive photographic camera. We clocked a shot-to-shot fourth dimension of just 0.four second when shooting raw files and slightly less when shooting merely high-resolution, low-compression JPEGs.

Less impressive was the photographic camera'due south continuous-shooting speed, which in our tests for JPEGs scored a little less than the iii frames per second (fps) claimed by Catechism, for only 10 frames, compared with Canon'south claim of fourteen. Interestingly enough, the charge per unit was closer to 4fps when shooting raw files, but the buffer filled after only 5 shots. This is one central area in which Canon obviously seeks to maintain distance between the capabilities of the consumer Rebel XT and those of the semipro EOS 20D, which retails for approximately $600 more.

The XT's viewfinder provides 95 percent coverage, which is typical for its form, and information technology's sufficiently articulate and bright. Its 1.viii-inch LCD is too sharp and bright, though it can all the same be challenging to read in open sunlight.

The Rebel XT uses the same kind of small, rechargeable battery that some of Canon's point-and-shoots use, but nosotros withal got more than than i,100 shots out of it in typical shooting.

The Rebel XT runs on Canon'south diminutive NB-2LH lithium-ion bombardment pack, which is the aforementioned i used past point-and-shoots such every bit the PowerShot S60. That explains, in function, the XT'southward smaller, lighter grade factor (the previous Digital Rebel used the larger BP-511A battery). It as well speaks to the power efficiencies of the Digic II processor. The XT was good for more than 1,100 frames of real-world shooting with moderate flash use before the low-battery indicator appeared.

The Canon EOS Digital Rebel XT makes gloriously detailed 8-megapixel images and offers unsurpassed image quality for a consumer dSLR. That said, a comparison of output shot with the EF-Due south 18mm-to-55mm f/three.v-to-f/five.6 zoom lens included with the kit and Canon'southward fantastic EF 24mm-to-70mm f/ii.8 zoom (which retails for more than than the XT itself) reveals the limitations of the kit lens. The one-time's output was decumbent to softness at telephoto settings, slight barrel baloney at the 18mm end, and fringing around backlit borders. While these flaws were relatively minor, the output of the big-money lens revealed just what the Insubordinate XT is capable of: tack-precipitous images with a superior tonal range and extraordinary particular from shadows to highlights. For those reasons, we'd recommend buying the XT torso without the kit lens and investing in even moderately amend drinking glass; the XT is capable of so much more.

But even with the shortcomings of the kit lens, image quality is impressive. Colors are saturated and generally natural, although the automatic white residuum tends toward warm and yellow in some situations. We recommend shooting raw files for the best quality then that you can make white-rest adjustments after shooting if necessary. Racket levels are remarkably low and barely noticeable at ISO settings less than 1,600. Even at ane,600, we found the noise to be very manageable. If you shoot long exposures, y'all can besides turn on Catechism'south noise-reduction filter through the custom settings.

Score Breakdown

Blueprint 7 Features 8 Performance viii Image quality ix

Source: https://www.cnet.com/reviews/canon-eos-digital-rebel-xt-review/

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